![](https://yanaitoister.com/wp-content/uploads/2015/02/Toister_Register_Light-Leak1-1-1024x801.jpg)
Stray Light, 2003, from the series “Register of Facts,“ c-print, 120x153
![](https://yanaitoister.com/wp-content/uploads/2015/02/Toister_Register_Register_model.jpg)
Model, 2004, from the series “Register of Facts,“ c-print, 45x60
![](https://yanaitoister.com/wp-content/uploads/2015/02/Toister_Register_tree-trunks.jpg)
Untitled, 2003, from the series “Register of Facts,“ c-print, 120x153
![](https://yanaitoister.com/wp-content/uploads/2015/02/Toister_Register_arch.jpg)
Untitled, 2004, from the series “Register of Facts,“ c-print, 120x154
![](https://yanaitoister.com/wp-content/uploads/2015/02/Toister_Register_house-bricks-logs.jpg)
Untitled, 2004, from the series “Register of Facts,“ c-print, 120x154
![](https://yanaitoister.com/wp-content/uploads/2015/02/Toister_Register_flame1.jpg)
Untitled, 2004, from the series “Register of Facts,“ c-print, 45x60
![](https://yanaitoister.com/wp-content/uploads/2015/02/Toister_Register_bouy.jpg)
Bouy, 2004, from the series “Register of Facts,“ c-print, 156x120
![](https://yanaitoister.com/wp-content/uploads/2015/02/Toister_Register_kids.jpg)
Untitled, 2004, from the series “Register of Facts,“ c-print, 45x60
“The series Register of Facts emphasized the debate doubting the photograph’s ability to bear faithful testimony to any reality except its own. The photographs in the series describe a certain occurrence, or an abandoned scene of action that has long ended or not yet begun; however, the situation is enigmatic, and despite the multiplicity of detail it provides no tools for decipherment, even when the lens closes up to a detailed depiction of textures and stains. These provide no information to identify the commemorated places and moments geographically, chronologically or by narrative; they exist in the photograph’s time and place, in the work’s fictive timing.”
(Nili Goren)