“The series Register of Facts emphasized the debate doubting the photograph’s ability to bear faithful testimony to any reality except its own. The photographs in the series describe a certain occurrence, or an abandoned scene of action that has long ended or not yet begun; however, the situation is enigmatic, and despite the multiplicity of detail it provides no tools for decipherment, even when the lens closes up to a detailed depiction of textures and stains. These provide no information to identify the commemorated places and moments geographically, chronologically or by narrative; they exist in the photograph’s time and place, in the work’s fictive timing.”
(Nili Goren)